v1.1.9 was skipped — Screenplay was a big enough addition to warrant a minor version bump instead.
Screenplay
- Real shared toolbar: the Screenplay editor now uses the exact same toolbar every other document type does — title, status, tags, Save, Export, and real Version History — instead of a separate lookalike. Row B swaps in an element-type button group (Scene / Action / Character / Parenthetical / Dialogue / Transition) in place of the prose-only formatting controls.
- Element-type keyboard shortcuts: Ctrl/Cmd+1 through 6 set the current line's type without reaching for the toolbar.
- Corrected page margins: the live editor was rendering Scene Heading, Action, and Transition text flush against the physical page edge instead of the real 1.5"/1" industry margins. Fixed to match the compiled PDF exactly.
- Character cue indent corrected: moved from 3.7" to 3.5", verified against both a real produced shooting script and published formatting guides.
- Stackable character extensions: (V.O.), (O.S.), and (O.C.) can now be combined with (CONT'D) on the same cue — e.g. "MARY (O.S.) (CONT'D)" — instead of only one or the other.
- Real page numbers: the compiled PDF now paginates into true discrete pages (instead of one continuously-flowing document) and stamps "N." flush-right on every page from page 2 onward, matching standard screenplay convention.
- (CONTINUED) / (MORE) markers: when a scene or a character's dialogue is split across a page break, the compiled PDF now marks it on both sides the way a real script does.
- Production-style scene numbers: when scene numbering is enabled, numbers now flank the slug line in the left and right margins instead of sitting inline with the heading text.
- Character/Location autocomplete now reads your actual sheets: typing a scene heading or character cue now suggests names from the Character and Location documents you've already created, not just names already typed elsewhere in the script.
- Character & Location List: the Screenplay Compiler has a new panel that auto-derives a cast and location list straight from your scenes, with an option to include it as an appendix page.
- No more dead-end "Drafting" folder: Screenplay projects no longer get a Drafting folder whose Storyboard/Story Arc tools depended on Manuscript-only scene data and never had anything to show.
- Fixed clipped/misaligned fields: the Scene Heading and Character line's INT/EXT, Time-of-Day, and Extension pickers were native dropdowns that clipped their own selected text ("CONTINUOUS" showing as "CONTINUOU") and left dead gaps for short values. Replaced with the same click-to-open picker style already used for Location/Character Name, and the text fields themselves now size to their real rendered width instead of a fixed default.
- Scene number locking: a new "Lock scene numbers" option in the Screenplay Compiler makes numbers permanent across recompiles — a scene added later gets a letter-prefixed number (A6, B6…) instead of shifting every page after it, matching how a distributed shooting script is actually renumbered.
- Revision header: an optional "TITLE - REVISION LABEL" line in the top margin of every compiled page, alongside the page number.
- Live compiled preview: the Screenplay Compiler now shows an always-current preview of the actual compiled pages as you change settings, instead of only finding out what you'll get after exporting.
- Compiler layout matches the rest of Alistair: Sequences and Format are now toolbar tabs that open as an overlay over the preview — the same pattern the Manuscript Compiler already uses — instead of a fixed settings sidebar.
- Fixed the "blank project" banner sticking around: the project home screen's word/scene counts (and the "this project is a blank page" banner) only ever recognized Manuscript scenes, so a Screenplay project with real content still looked empty. Screenplay documents are now counted correctly.
- Onboarding tour updated: removed two steps that pointed at controls hidden in Screenplay mode, corrected the export step's wording, and added a new step introducing the element-type buttons and their keyboard shortcuts.
- Font quick-select: pick Courier Prime, Courier Final Draft, or Courier New for the compiled script right from the Format tab, with an automatic fallback to a system Courier if the chosen one isn't installed.
- Fixed title page centering: the title and author block was centered within its own fixed-height box, but that box sat flush at the top of the page instead of the middle — so it read as noticeably off-center. Now centers within the full page.
- Fountain and Final Draft (.fdx) export from the Compiler: export your entire compiled script (every included Sequence, in compiler order) as a plain-text Fountain file or a Final Draft-compatible .fdx file, alongside the existing PDF export.
Manuscript Compiler
- EPUB export: compile your manuscript straight to a real, reflowable EPUB e-book, alongside the existing PDF and DOCX export. Title, author, and cover image are pulled automatically from your Manuscript Cover page, no separate upload step.
- Live EPUB preview: a new EPUB Preview tab shows the actual reflowed e-book output next to Print Preview, deliberately not page-simulated, so what you see is genuinely how an e-reader will lay it out.
- Auto-numbered chapters ("Chapter 1", "Chapter 2"…) now apply consistently across Print, DOCX, and EPUB, leaving prologues, epilogues, and interludes untouched.
Text to Speech
- New toolbar button: Text to Speech now has its own button in the main app toolbar, so you can read text aloud without opening a document first.
Rhythm (formerly Prosody)
- Restored and renamed: the panel had been silently disabled for every project since Chapbook was folded into Manuscript. It's back, and renamed from "Prosody" to "Rhythm" — the old name is a poetry-only term and no longer described what the panel actually covers.
- New Prose Rhythm mode (Manuscript): a sentence-length heatmap, average sentence length, a variation score, repeated-sentence-opener detection, estimated silent read-aloud time, and a dialogue-vs-narration ratio — the prose analogue of poetic meter, not meter itself.
- New Screenplay Pacing mode: per-scene length bars, dialogue density, and character screen-time, derived directly from the elements already in your script.
- The original meter, rhyme scheme, and syllable-count tool is preserved as a secondary "Poem" tab within Manuscript projects.
- Redesigned to match the rest of Alistair's right-panel style (Characters, Locations, Story Elements) — a proper panel header, collapsible sections, and the same filter-pill tabs, instead of a bespoke card layout.